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<blockquote data-quote="Mannahnin" data-source="post: 9254472" data-attributes="member: 7026594"><p>1. <em>Grand Budapest Hotel.</em> Agreed. It's wonderful. Funny and moving and hilarious and tragic and gorgeous.</p><p>2. <em>Moonrise Kingdom</em>. I think it's ALSO basically perfect and it has additional resonance to me as someone whose childhood involved a lot of time spent in New England woods, among those sun-dappled paths and rocky prominences.</p><p>3. <em>The Royal Tenenbaums</em>. Pretty much an archetype of his work, beautifully written, acted and scored, and very accessible.</p><p></p><p>All three of these I can revisit endlessly and end them wanting more time in their worlds.</p><p></p><p>I've still only watched <em>Asteroid City</em> and <em>The French Dispatch</em> once each, so I don't think it's possible to rank them correctly yet. I need to absorb them more. I suspect that they're going to grow on me.</p><p></p><p><em>The Life Aquatic</em> I found off-putting on first viewing but it really grew on me later. It's excellent. I rank it with <em>Rushmore </em>and with <em>Darjeeling </em>in the second tier (maybe they'll become third tier if AC and TFD develop for me the way LA did). I found <em>Darjeeling </em>better than you did; maybe it's the personal resonances again, my relationships with my brother and my mother in particular. <em>Rushmore </em>was the first of his movies I saw. It's a good'un, and has some great elements, but for me it's still not really there yet.</p><p></p><p><em>Bottle Rocket</em> I agree is a rough work but shows seeds of what was to come. I wouldn't recommend it to anyone who isn't a Wes fan, but it's definitely neat to see the elements starting to come together.</p><p></p><p>I tried <em>Fantastic Mr. Fox</em> once and it didn't grab me at all. I need to try again.</p><p></p><p>I haven't seen <em>Isle of Dogs</em>.</p><p></p><p>Of the Netflix shorts I've just watched <em>Henry Sugar, </em>which was fun, if slight, and I look forward to getting to the others.</p></blockquote><p></p>
[QUOTE="Mannahnin, post: 9254472, member: 7026594"] 1. [I]Grand Budapest Hotel.[/I] Agreed. It's wonderful. Funny and moving and hilarious and tragic and gorgeous. 2. [I]Moonrise Kingdom[/I]. I think it's ALSO basically perfect and it has additional resonance to me as someone whose childhood involved a lot of time spent in New England woods, among those sun-dappled paths and rocky prominences. 3. [I]The Royal Tenenbaums[/I]. Pretty much an archetype of his work, beautifully written, acted and scored, and very accessible. All three of these I can revisit endlessly and end them wanting more time in their worlds. I've still only watched [I]Asteroid City[/I] and [I]The French Dispatch[/I] once each, so I don't think it's possible to rank them correctly yet. I need to absorb them more. I suspect that they're going to grow on me. [I]The Life Aquatic[/I] I found off-putting on first viewing but it really grew on me later. It's excellent. I rank it with [I]Rushmore [/I]and with [I]Darjeeling [/I]in the second tier (maybe they'll become third tier if AC and TFD develop for me the way LA did). I found [I]Darjeeling [/I]better than you did; maybe it's the personal resonances again, my relationships with my brother and my mother in particular. [I]Rushmore [/I]was the first of his movies I saw. It's a good'un, and has some great elements, but for me it's still not really there yet. [I]Bottle Rocket[/I] I agree is a rough work but shows seeds of what was to come. I wouldn't recommend it to anyone who isn't a Wes fan, but it's definitely neat to see the elements starting to come together. I tried [I]Fantastic Mr. Fox[/I] once and it didn't grab me at all. I need to try again. I haven't seen [I]Isle of Dogs[/I]. Of the Netflix shorts I've just watched [I]Henry Sugar, [/I]which was fun, if slight, and I look forward to getting to the others. [/QUOTE]
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